Definition of classical

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Classical (n.) Of or pertaining to the ancient Greeks and Romans, esp. to Greek or Roman authors of the highest rank, or of the period when their best literature was produced; of or pertaining to places inhabited by the ancient Greeks and Romans, or rendered famous by their deeds..

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Hades :: Hades (n.) The nether world (according to classical mythology, the abode of the shades, ruled over by Hades or Pluto); the invisible world; the grave..
Wedge :: Wedge (n.) The person whose name stands lowest on the list of the classical tripos; -- so called after a person (Wedgewood) who occupied this position on the first list of 1828.
Plinth :: Plinth (n.) In classical architecture, a vertically faced member immediately below the circular base of a column; also, the lowest member of a pedestal; hence, in general, the lowest member of a base; a sub-base; a block upon which the moldings of an architrave or trim are stopped at the bottom. See Illust. of Column..
Romantic :: Romantic (a.) Of or pertaining to the style of the Christian and popular literature of the Middle Ages, as opposed to the classical antique; of the nature of, or appropriate to, that style; as, the romantic school of poets..
Classical :: Classical (n.) Of or pertaining to the ancient Greeks and Romans, esp. to Greek or Roman authors of the highest rank, or of the period when their best literature was produced; of or pertaining to places inhabited by the ancient Greeks and Romans, or rendered famous by their deeds..
Classicalness :: Classicalness (n.) The quality of being classical.
Pediment :: Pediment (n.) Originally, in classical architecture, the triangular space forming the gable of a simple roof; hence, a similar form used as a decoration over porticoes, doors, windows, etc.; also, a rounded or broken frontal having a similar position and use. See Temple..
Sanskrit :: Sanskrit (n.) The ancient language of the Hindoos, long since obsolete in vernacular use, but preserved to the present day as the literary and sacred dialect of India. It is nearly allied to the Persian, and to the principal languages of Europe, classical and modern, and by its more perfect preservation of the roots and forms of the primitive language from which they are all descended, is a most important assistance in determining their history and relations. Cf. Prakrit, and Veda..
Scotia :: Scotia (n.) A concave molding used especially in classical architecture.
Revive :: Revive (v. i.) Hence, to recover from a state of oblivion, obscurity, neglect, or depression; as, classical learning revived in the fifteenth century..
Classic :: Classic (n.) One learned in the literature of Greece and Rome, or a student of classical literature..
Classicism :: Classicism (n.) A classic idiom or expression; a classicalism.
Classicalist :: Classicalist (n.) One who adheres to what he thinks the classical canons of art.
Aegicrania :: Aegicrania (n. pl.) Sculptured ornaments, used in classical architecture, representing rams' heads or skulls..
Order :: Order (n.) The disposition of a column and its component parts, and of the entablature resting upon it, in classical architecture; hence (as the column and entablature are the characteristic features of classical architecture) a style or manner of architectural designing..
In Antis :: In antis () Between antae; -- said of a portico in classical style, where columns are set between two antae, forming the angles of the building. See Anta..
Classicality :: Classicality (n.) Alt. of Classicalnes.
Portico :: Portico (n.) A colonnade or covered ambulatory, especially in classical styles of architecture; usually, a colonnade at the entrance of a building..
Scylla :: Scylla (n.) A dangerous rock on the Italian coast opposite the whirpool Charybdis on the coast of Sicily, -- both personified in classical literature as ravenous monsters. The passage between them was formerly considered perilous; hence, the saying Between Scylla and Charybdis, signifying a great peril on either hand..
Chaconne :: Chaconne (n.) An old Spanish dance in moderate three-four measure, like the Passacaglia, which is slower. Both are used by classical composers as themes for variations..
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